The Trouble With Genres

2 minute read time.

There is a problem with this word genres.  It doesn’t always adequately describe the music.  Some music can’t be put in categories.  I know we have to define a type, or otherwise how do we navigate around enormous web sites or music stores?  Even then the owners of such retail outlets can’t always agree on which category to put an artist.   However we persist with the word, I am probably guilty of overusing it.

I’ve been lucky enough to meet a lot of people lately in my travels and I’ve had some fascinating chats on the subject of music.  I have been given several suggestions of new music to listen to, and they are all carefully noted in my little pink book.  Unfortunately some conversations were abruptly curtailed, as they are in waiting rooms or during travelling, or frustratingly I did not ask or write down sufficient information.  Which is why I am now confronted with a list of several wide genres of music for exploration, and I don’t know where to start.  Names of artists and some titles would have been so helpful. 

I have promised to listen to everything.  In one or two cases I now regret saying this, but I will stick to my word.  I will confess that I done a little prioritising, some genres are relegated to the bottom of the list.  There is one though which I am most keen to delve into.  “40s music”.   Sadly I have been researching this for a while now without success.

The suggestion was made by a memorable gentleman.  I recall the twinkle in his eye as he talked about a dance hall that he loved, and the wonderful music that was played there.  Such special songs that the trauma of the recently ended war was swept away.   He leaned over and whispered a few details about the women who danced there, and hinted at some indiscretions.  The memories of which immediately lit up his face. 

I’d love to listen to this music, but I don’t know what it is.  Except that it is definitely not Vera Lynn. I have asked a few of his generation what sort of music they danced to after the war, and what the venues were like.  Their replies have baffled me more.   They must either have led an innocent life where they never heard of this sort of magical establishment, or they won’t own up to ever having gone there.  

Anonymous
  • FormerMember
    FormerMember
    Hi Margaret, when I think of 40's music I think of big band music like Glen Miller or Artie Shaw. There's also Swing. What about Duke Ellington, Louis Jordan, Louis Armstrong...just a few for you to be getting on with.
  • FormerMember
    FormerMember

    Hello Mamam. Many thanks for the suggestions, I look forward to listening to them all. 

    I'm just going through my emails this morning and I am very excited to hear from a cousin from London.  I'd told him a few days ago about my quest, describing the venue in more detail.   He is pretty sure that not only does he know the location of the actual club, but he says we've danced there!  Apparently the music is Bebop.  When I worked in London in my younger days we spent many a happy evening dancing at the 100 Club in Oxford Street.  To disco music in the 70s and then to Northern Soul in the 80s.  He tells me that In the 1940s people danced to Bebop in the basement of the 100 Club. 

    So I'll be discovering Bebop.  Maybe I'll learn some dance moves to go with it.  It appears to require an early form of the Jitterbug.  Coincidentally a few posts ago I remarked that I was struggling to explore Jazz.  I was then given a list of Jazz artists to try, and I see now that a few of  these match the names on my new list of Bebop artists!  So I will be revisiting Jazz as the same time.  Funny how things work out sometimes.  xx